Showing posts with label publishing. Show all posts
Showing posts with label publishing. Show all posts

Thursday, April 03, 2014

Navigating the Stormy Seas of Publishing

Calcaterra '99
By Garrett Calcaterra '99


Last month I wrote a guest blog post for Diversion Books, the publisher of my debut fantasy novel, Dreamwielder, and I remarked on the odd publication path my book took: an initial launch in e-book format only, then audiobook format through Audible.com a few months later, and finally in trade paperback format almost a year after the initial release. 

It’s a big departure from the traditional book release process, but this is the reality of the book publishing world now. There is no tried and true route to publication success, and if you want to make it as an author, you have to navigate your own path.

The modern publishing world is a double-edged sword. On one hand, there are more opportunities than ever to reach readers directly thanks to e-books, self-publishing platforms like KDP and Smashwords, and Print-on-Demand services like CreateSpace and Lulu. On the other hand, these opportunities will do nothing for you if you fail to write quality books or if you don’t understand the business side of publishing. And the fact of the matter is, unless you already have a large following, publishers still offer you the best shot of getting your book in front of readers.

Sure, I could have self-published Dreamwielder, but I never would have procured a Barnes & Noble Nook First Look selection on my own. Audible.com never would have turned it into an audiobook. And before all that, Dreamwielder never would have gotten the great editorial attention it received with Diversion Books if I self-published. That’s something a lot of newbies to the writing world neglect to consider: publishers ensure that they only release a high-quality, polished product.

For me, what’s worked so far is handling each writing project on a case-by-case scenario, and I don’t do it alone. I am in regular contact with my literary agent, Elizabeth Kracht, and together we game plan what to do with each book project I have. For Dreamwielder we went with Diversion Books. Diversion Books turned me on to Wattapad, an e-book app and community that houses 40 million free e-books. 

There on Wattpad, I self-released a prequel story to Dreamwielder, and also an unrelated fantasy novelette, The Knight’s Dog, which got picked up as a featured Wattpad story. As the time of writing this blog post, the novelette has racked up almost 17 thousand reads in little over a week! That’s how volatile and crazy the e-book market is.

On the self-publishing front, I’ve self-released The Knight’s Dog as an 99 cent e-book for the Kindle and Nook, and I’ve also self-released two quirky humor titles, knowing traditional publisher wouldn’t be willing to take a risk on them. 

I also experimented with selling my previously published short stories as DRM-free e-book singles directly from my website. That was a complete and utter failure! Still, I’m glad I tried it. I learned a lot about self-publishing and the e-book marketplace with the experience, and that knowledge is invaluable.


In the meantime, I’m working on the sequel to Dreamwielder, which is already contracted with Diversion Books, and I’m keeping my eyes open for new opportunities. I know writing novels is how I’m going to turn my writing into a sustainable career. I need to have a new book every year, which my agent and I will find the best possible market for, and I’ll continue to try out homes for my shorter work. 

Those 17 thousand downloads on Wattpad don’t earn me a dime directly, but now 17 thousand new people have seen my name, and the next time they see it on front of a book online or in their bookstore, hopefully they’ll deem it worthy to spend their money on.

Calcaterra ’99 was an applied science major with a minor in creative writing at Pacific University. He teaches writing at Chapman University and the Orange County School of the Arts. His new novel, Dreamwielder, is available in e-book format at all major retailers, including Amazon, Barnes & Noble and iTunes.

Wednesday, August 24, 2011

Old Stories, New Dreams

Tonya Macalino '96
As a novelist, I’ve always believed that integrating the folk stories of the past into our future-facing lives makes them richer, more meaningful—a glass of nuanced wine as opposed to a bottle of syrupy grape juice. As such, I am forever looking for patterns in the stories people tell me, looking for ways to intertwine them and create something new.

In the course of developing my writing career, I ran into a pattern in my own story.

The rejections grew kinder, the critiques less bloody every year. But on the submissions front, the speculative fiction agents and publishing houses grew fewer; the major bookstores teetered more violently with the passing of those same years. And the ereaders started showing up in the hands of Trimet commuters.

I saw the pattern, but what did it mean for my writing career?

So like any good researcher these days, I got on the Internet. More patterns: Amazon buys Createspace, the print-on-demand house; develops its own Kindle’s direct publishing platform. Barnes & Noble follows suit with its Nook direct publishing platform. But that was self-publishing! That was vanity press for suckers and the self-delusional! No, my life-long goal was the lofty validation of the industry powerhouses.

And then I saw the first established author jump ship, abandoning their publisher to go it alone. Others followed. Another pattern. Ebook sales had begun to overtake print. These authors asked questions that had already been whispering in my ear: Why earn twenty-five cents a book when you could be earning two dollars (or more)? Why relinquish creative control to a publisher? Why resign yourself to disappointing cover art? Between ebooks and print-on-demand, those questions grew in power.

But wait! I demanded. You people already have the audiences your publishers built for you. You’re cheating!

More pattern: Most first time authors handle all their own marketing. And many of these authors never make it past the first book, because of an outdated print-run model favored by the publishing industry. They never have the chance to develop the audience they may very well deserve.

It took time, but eventually I conceded that future technology had layered over the landscape on which I’d built my dreams. It had placed a new setting on an old story. It would call on me to bring to bear my old mythology of communications and events manager, project coordinator, and entrepreneur on a story that I had once thought would simply unfold before me, guided by hands greater than my own.

I guess I should have known better.

And I think I like it better this way.

Macalino '96 studied creative writing and philosophy at Pacific University. For all her upcoming readings and books you can reach her at www.facebook.com/TonyaMacalino and at www.tonyamacalino.com.